While not the only reason, I’ve been selling off my accumulation to fund some new purchases. While I like the metal Pilot Vanishing Points the metal feels cold and impersonal. This really became apparent to me the more I used the Maple Wood Vanishing Point. So when Pilot released two more models made of wood the only question was which one I would add to my accumulation first.
The two new models are Cherry Bamboo and Black Bamboo, both have rhodium trim. Both finishes called out to me. My last addition was a dark pen, the Stresemann, so this time I decided to go with a little color and picked the Cherry Bamboo. Besides, I do like red and black together and while mostly red this does have black in it.
Despite the Bamboo name the pens are made of Birch Wood. While several sites say it’s Bamboo, enough say they’re made of birch wood that I’m convinced it’s birch wood. While it could be the varnish on the Retro 51 and the dye on the VP, my Bamboo Retro 51 feels and looks a lot smoother with less wood grain than the VP.
The pen is pricey and it’s not for everyone. But it is for me and since I sold enough of my accumulation to pay for the pen I went ahead and took the plunge.
I have plenty of VP factory nibs. I sold most of my VPs as empty barrels and have five nibs for two pens, so I ordered the pen from Classic Fountain Pens. This way I could have John Mottishaw grind the factory medium nib to a left oblique. More on the nib later.
The pen is even better looking in real life than in pictures. I’m really glad I picked the Cherry Bamboo. It arrived in a Russian Nesting Doll of boxes. The outer white cardboard sleeve covered a heavy cardboard black box. Inside that was a hinged presentation box for the pen, also black. Removing the presentation box revealed the paperwork and an ink cartridge. The pen sat in a bed of thin cloth and the Pilot name is embossed on the cushioned cover. Nice, but not overboard.
While I’ve been selling off my metal Vanishing Points barrels I’ve been keeping many of the nibs. I’ve been considering getting one of the medium nibs ground to a left oblique or stub. The left oblique fits the way I hold the pen perfectly, at least my Esterbrook left obliques do. The little rotation it needs is the way I want to hold the pen normally and one reason I have a harder time with italic or even stubs.
I was slightly concerned that the clip might prevent me from holding the pen comfortably with the right angle for the nib. Because of this I had intended to have one of my medium nibs ground at a future pen show so I could test it while it was ground.
Ordering the VP without a nib wasn’t an option and another factory nib was unneeded. I spent some time comparing my Esterbrook left oblique with the way I held the Vanishing Point. I was confident it would work for me and I went for the left oblique ground by John Mottishaw.
I was extremely happy when the pen arrived. The left oblique, which is about 15° in this case, seems perfect for the Vanishing Point. The clip, which can bother some people, and the nib combine to give me a near perfect writing experience.
Since I naturally grip the pen correctly for the nib I can use this pen for notes since I don’t really need to concentrate on my writing. Still, this nib is more for sit down, longer form writing sessions such as the draft to this article.
I inked it up with the included blue cartridge rather than waste the cartridge. I like Pilot ink and I usually use cartridges in the VPs, although blue is rarely my color of choice. But why waste a cartridge. I’ll probably use the converter with this nib so I can pick inks that appreciate the left oblique nib.
The nib isn’t very wide (not a complaint, it’s my preference) so the line variation is subtle. But it’s noticeable and I like it.
I’m glad to have another wood Vanishing Point and I’m very happy to have the Pilot Vanishing Point Cherry Bamboo in my accumulation.