My Sailor Pro Gear Regency Stripe with its extra fine nib and Sailor Nano Sei-boku blue-black ink is a holdover from last year, having been inked up in early December. That’s a long time to have a pigment ink, even a nano pigment ink, in any pen. This one is a thin Japanese extra fine nib which, on the surface, seems like a bad combination. In the 7+ months that the pen was inked the combination was completely problem free. No hard starts and no skipping, just smooth writing.
The Regency Stripe spent most of its time in my Nock Co. Fodderstack XL which travels in my shirt pocket. Any fountain pen in this roll gets limited use and the Regency Stripe got even less use. As a screw-cap pen, and one that needs about two complete rotations to uncap, it isn’t quick to use and I would often pick the Retro 51 that was next to it for any quick note. But it did get used occasionally when I sat down to write. I did like having a very thin nib always available to me. In July I moved it to my Penvelope 6 and it got frequent use during the month. The nib has a nice firmness to it with just a little spring and the ink flow is consistently good.
It was about a week before I got around to flushing out the dry pen. Again, not something I like to do with a pigment ink but in this case the pen was easy to clean out. I cleaned two other pens with it and this was the easiest and quickest by far.
I’m already missing the Sailor Pro Gear Regency Stripe from my rotation. I keep having this internal debate about sticking with pens I like or going with a variety. I think this one will return to the rotation in August, but this time it will be in my pen case where I’ll use it regularly.
I could be wrong, but I think the Newton Eastman with Montblanc Irish Green ink holds the record for longest time to write dry without a refill. This is mainly due to it’s huge 5 ml capacity. It’s also a pen that doesn’t travel well, so it’s homebound which does limit its use.
The Newton Eastman is a custom fountain pen by Shawn Newton which was built to use vintage Esterbrook nibs that are interchangeable. The pen started with the #2314-F Fine Stub when it was inked on November 2nd of last year. A month later I swapped it for the #2442 which is also a fine stub nib. I had planned to continue swapping nibs every month or so, but this one remained until the pen went dry on June 12th. I liked it.
As expected, the pen has a petulant streak to it. There’s a lot of ink in there, which switches to a lot of air as the pen is used. Plus, these are vintage nibs that were never intended to have so much ink trying to gush through them. While the amount may vary between specific nibs, the ink drips into the cap if it’s bouncing around in my bag. Or rolls off my desk. Or falls off my pen stand. Or any number of other causes. At first I was constantly cleaning out the cap as the splatter in that shiny clear acrylic bothered me. But eventually I grew tired of dealing with it and eventually grew to even like it. My experience with Montblanc Irish Green gave me the confidence that staining wouldn’t be a problem.
The Eastman also has a tendency to burp (drip ink from the nib) while writing once the the ink level dropped to about 3/4 full. This was mostly controllable by uncapping the pen then wrapping my hand around the barrel to warm it up before using the pen. But as the ink level dropped to about 1/4 the burping became more frequent and I had to watch for any ink accumulation on the nib and wipe it off before it dripped or repeat the warming process to let air out as I wrote.
Technically, I didn’t write the pen dry. There was a page or two of ink left but the burping became a real problem once the ink level didn’t even reach the barrel so I flushed the pen.
Despite its petulance I really enjoy using the Eastman. The pen is large but light. There’s no metal (well, just the steel nib), there’s not even a converter to add weight. The large pen is comfortable in my hand and I can use it for extended writing sessions without getting fatigued.
The pen was easy to clean despite being inked over seven months. The only ink that remained after a quick pass under running water was the ink that had worked it’s way into the cap & barrel threads. A quick bath in the ultrasonic cleaner and a q-tip got the ink out of the threads with little effort.
The Newton Eastman will get a bit of a break. I have 11 pens recently inked so there’s a lot of ink I need to run through. Adding another 5 ml would overwhelm me. Montblanc Irish Green has been a favorite green ink for a long time, although it has some recent competition so it may be awhile before it returns to a pen.
Montblanc Bordeaux is the only ink I’ve used in my Montblanc Meisterstück Ultra Black LeGrand fountain pen with its oblique medium nib. This time around it took me over four months to write the pen dry. The long duration was due more to a drought in my writing than any dislike of the pen & ink. The pen is better suited, at least for me, to sit at the desk and just write sessions than taking notes. There just hasn’t been much of that prior to June.
Because of this the Ultra Black spent a lot of time sitting unused on my desk, or nib up in a pen case. Yet it wrote perfectly when I did uncap it for use. There wasn’t a hit of a hard start, ever, and it was completely skip-free.
The oblique nib is at a good angle for my typical writing posture. Medium nibs are a bit wider than my typical choice, but I’ve grown to like them more as I’ve used them. This isn’t a pen I use to take notes while holding a pocket notebook, but it’s a solid writer when I’m at a desk or table.
There’s really not much else for me to say. The pen is a piston filler so cleaning is tedious as expected, but it was relatively fast. It was time to give the pen a cleaning, but I didn’t obsess over it since it will soon be refilled with the same ink.
The Montblanc Ultra Black LeGrand and Montblanc Bordeaux will again be paired and soon return to the rotation.
Sure enough, as I predicted in my currently inked post, the Sailor Pro Gear KOP with Callifolio Aurora had about one and a half pages of ink left this month and it went dry on it’s first outing of the month.
The Sailor King of Pen with it’s nice medium nib is my go to pen for trying new inks. It’s also a big, comfortable pen I use for longish writing sessions at a desk or table. For me, the medium nib is also wider than my usual choice which means I tend to be more deliberate when I’m using the pen. All this means I tend to use the KOP with good paper. The worst paper I use it on is probably a Doane Writing Pad and that paper is pretty good.
The wide nib and dark ink did result in some annoying show-through on some thin Staples sugarcane paper that I use. This show-through is hardly unique with this combination and it’s more common than I would like with this paper.
The ink is made by (or for) l’Artisan Pastellier in France. The ink doesn’t claim to be waterproof although I didn’t test that trait, either by accident or on purpose. The ink has some nice shading to it, at least with this nib. I’ve seen the ink described as having a dry flow. I like inks/nibs less than wet (ok, dry) so I didn’t consider this a dry ink, it had a nice consistent flow to it. Dry time was fast enough to avoid accidental smudges. There wasn’t any bleed-through or noticeable feathering.
Distribution in the U.S. seems to be limited. I got my 40ml bottle from Vanness Pens which also has it in 50ml pouches along with ink samples. The pouch is the best value but you’ll either need to decant the ink or use an eye dropper to fill a pen. JetPens also has the 40ml bottles. The bottle is a nice wedge shape which is the same bottle as the Diamine Anniversary inks which forms a circle when placed side-to-side. This does point to Diamine being the manufacturer of the ink.
I really, really like the color of this ink and it’s well behaved. I bought it when I went on a terra cotta themed ink buying binge that coincided with the announcement of the Visconti Brunelleschi. So the next fountain pen for the Callifolio Aurora will be the Brunelleschi. I have a second Callifolio ink that is still unopened, so it will be next for the Sailor King of Pen. It’ll be a week or more since I want to write a couple more pens dry before I ink up anything new.
I’m way behind on posts to this site so I haven’t written much about the Visconti Brunelleschi. I hope to have my This Jus In post for it up later this week, so I’ll skip my initial impressions about the fountain pen for now. The Brunelleschi arrived the second week of March and I immediately inked it up with the included Visconti Brown ink. At least that’s what I think the ink is. The Visconti packaging and marketing literature doesn’t get specific about the ink and never mentions a color. It’s a brown ink and if it was a special formulation I’m sure Visconti would have promoted that fact. So I assume it’s the standard Visconti Brown, which I’ve never used.
The Visconti Brunelleschi is similar to my Visconti Homo Sapien Bronze age. The size and weights are nearly identical. The Brunelleschi has a faceted barrel (8 sides) while the Homo Sapien is round. The nibs are also the same 23 kt Palladium Dreamtouch nib, although my Brunelleschi is a medium while my Homo Sapien is a extra fine. The only obvious difference is the material (and the color of the materials).
I wrote the pen dry in early May, so the fill lasted about two months. My overall fountain pen usage was way down overall. Plus, I don’t usually pick a medium nib for general note taking. I wasn’t passing over this fountain pen in favor of others. I used it whenever a medium nib was appropriate, unfortunately that wasn’t often enough. There was never any hard starts, even after the pen sat unused for a week or more. There also weren’t any indications that ink was evaporating from the pen.
The ink and nib provided a consistent and ideal flow, never a trace of hesitation, hard starts or skipping.
I liked the Visconti Brown ink, although I didn’t love it. I like Montblanc Toffee Brown better. The Visconti Brown dried fast enough to avoid accidental smudges, even with the medium nib. It was well behaved, no feathering or bleeding. The ink is nice enough and I’ll occasionally use the ink I have, but I won’t be buying another bottle. This is especially true since Visconti ink is on the expensive side of the price spectrum.
Visconti Power Fillers are always tedious to clean (as are all vac fillers). So with that caveat I’ll say Visconti Brown was easy to flush from the pen.
I will be refilling the Visconti Brunelleschi soon, I’m just waiting for my fountain pen usage to return to normal and I begin writing more pens dry. I’ll probably fill it with one of my newer terra cotta themed inks.