It’s been a long time since I’ve done a This Just In post, and even those last few stretched the meaning of This Just In. It’s time to return to my original intent with these posts, my first impressions within days of a new pens arrival.
The Lamy Aion Dark Green arrived on Monday, I inked it up Tuesday morning, and this post is being written on Thursday evening. Which means, don’t take this as anything resembling a thorough review, or even that my impressions won’t change.
So on to the pen…
The Lamy Aion wasn’t on my radar until I saw the Dark Green, and I immediately wanted it. From the picture it seemed like it could be another thin Lamy pen since there wasn’t anything else in the photo for scale. But the beautiful green color made me do some research.
The Aion reviews that I found were mixed, but seemed weighted on the negative side of the scale. In reading the reviews I found that many of the complaints were actually things I like in a fountain pen. The most common complaint was that the pen was chunky. Merriam-Webster defines chunky as “heavy, solid, and thick or bulky.” I don’t consider those as negative traits, unless taken to an extreme.
The Dark Green is a 2021 special edition, although it’s priced exactly the same as a basic black (or silver) Lamy Aion. Previous special editions are Blue (2019) & Red (2020), both of which can still be found new if you search hard enough. This is a good indicator that I didn’t need to rush the purchase. But I wanted the green, so while I didn’t need to rush, I wasn’t going to dawdle.
The Aion was designed by Jasper Morrison, a British designer of many non-pen products. I was a little concerned that he might do something weird with the design in order to make his mark. While there are design complaints, such as chunky it’s a minimalist, but otherwise valid design.
It was rolling out in the US and several places has it in stock so I could have ordered one, but I did hold off ordering for a bit. Of the retailers I watch, Anderson Pens was the last to list it for sale, which was about the time I decided to buy one. As I mentioned before, it arrived on Monday.
The Lamy Aion arrived in basic packaging and included an ink cartridge, a converter, a marketing/instruction pamphlet and warranty pamphlet. I ordered mine with an extra-fine nib.
As is my current practice, I popped the included ink cartridge onto the Aion. By the time I grabbed a piece of paper the ink had reached the nib, and was ready to write.
Speaking of the nib; it isn’t the same that’s used in the Safaris, AL-Stars , and other Lamy pens. It will fit the feed of those fountain pens (except the Lamy 2000) so the nibs are interchangeable. The Aion nib starts tapering in to the point further from the barrel.
Writing with the Lamy Aion
I was shocked with how smooth the extra-fine nib is. It’s terrific. Despite having an aluminum gripping section the pen doesn’t slip in my hand. The section feels like it has an ever so slight texture to it, although it isn’t visible.
For some reason, it takes me a moment or two to settle the pen into my grip as I get ready to write with the nib in the right position. I’ll probably get used to it over time. I use a Penwell Traveller at my desk. I soft cap the pen in the Penwell when I take a break. Since the pen is in the same orientation when I place and remove it, this isn’t a problem when I’m at my desk. It still takes me a moment if the pen has been capped and on my desk in a pen case. It’s a problem I have with hooded or small nibs. But the Aion’s nib is neither hooded or small, so I’m not sure why I have to concentrate when first holding the pen.
The inner cap only reaches about half-way down from the top of the cap. If insert the pen at a slight angle, something I do a lot, the edge of the pen catches on the inner cap. It doesn’t appear capable of bending the nib itself, but it is annoying to have to straighten the barrel on half my capping attempts.
I like pens on the chunky and heavy part of the spectrum, so it’s not that all those reviews are wrong, but I love writing with the Lamy Aion. And I love seeing the color on my desk when I’m not using the pen. I don’t post my pens, and the unposted pen is plenty long enough to be comfortable.
The nib is a smooth, consistent writer. I haven’t experienced any hard starts or skipping.
I’m impressed with the Lamy Aion Dark Green and I love it so far. Granted, it’s only been three days. I ordered a 14k gold oblique-medium nib with the attempt to use it on this pen if it was comfortable. Well, it’s comfortable, but the Aion’s steel nib is so good that I’ll probably be forced to find another pen for the oblique-medium.
This pen is definitely a keeper, it needs a little more time in my hand to earn its place as a core pen.
I ordered four fountain pens in early December. I had money left in the pen budget and flashed back to the corporate world of use it or lose it, so I placed several orders. These are three of those four fountain pens. The fourth fountain pen, a gold nibbed Diplomat Aero, was massively delayed by USPS and just recently arrived.
These fountain pens all arrived 7 to 10 days before Christmas, but I didn’t ink them up until Christmas day. On to the pens…
Sheaffer 300 Matte Green (Fine)
As much as I love the Sheaffer pen colors and designs of the last century, I find the current designs either boring or heavy on colors that I don’t like. That changed when I saw the Matte Green 300 on the Anderson Pens podcast. I had to have the pen. The real-life pen lived up to expectations set by the video.
I had another Sheaffer 300 in metallic grey with chrome trim about 6 years ago. Eventually I gave it away after consistently passing over the pen whenever I was picking a pen to ink up. Since green is my favorite color, this pen won’t get ignored.
Despite being a sub-$70 pen ($82 MSRP), the Sheaffer 300 arrives with a classy presentation. A slightly oversized clamshell box is held in a cardboard sleeve. The sleeve has a cutout so that the Sheaffer logo printed on the clamshell box can be seen. In addition to the pen, the box contains a converter, a blue cartridge, and a black cartridge. There’s also an instruction/warranty booklet. The Sheaffer 300 uses Sheaffer’s proprietary filling system.
To avoid wasting ink I’ve been trying to use any included ink for my new pens. While I do praise Sheaffer for including a choice between blue and black ink cartridges, I was swearing at them for giving me two cartridges to either use or waste. I picked the black cartridge for the pen’s first ink. The blue might end up in the trash bin, or remain in the box until it dries out.
I inked up another two pens before returning to the Sheaffer 300 to use it. The fountain pen wrote well, a nice smooth true-to-size fine steel nib. Then I noticed my left hand was covered with ink stains (I’m a righty). I couldn’t see any ink inside the cap, or extra ink on the nib or section. Then I noticed even more ink in my left hand. While hard to see on the matte green in subdued lighting, there was a coating of ink on the outside of the cap. So, I cleaned the cap under the faucet and scrubbed the ink off. While cleaning the cap, I noticed water flowing through the cap from around the clip. Since it isn’t watertight, it certainly isn’t airtight.
There’s an inner plastic cap that is held in place by a metal screw at the top of the cap. After cleaning the cap, and verifying that the cartridge is secure the pen was ready to use again. The nib and section were secure, as was the cartridge. I haven’t had a problem since. I never confirmed what the problem was, so I can only guess. Whatever it was, it hasn’t returned and the pen has been leak-free. So the problem is moot. I did inspect the Sheaffer 300 thoroughly the day it arrived, so it certainly didn’t arrive covered in ink.
Using the Sheaffer 300
The snap-on cap is easy to take off and replace. There’s a nice solid click when the pen is capped. There’s just enough resistance when removing the cap. All this gives the Sheaffer 300 a nice, solid feel. Although I don’t post my pens, this one is designed to post and does so securely. The end of the pen has a shallow lip that the inner cap snaps onto. It almost makes me wish that I did post my pens. It’s a nice attention to detail.
I’ve been using the Penwell Traveler. The Sheaffer 300 is held firmly in place by the cushion. If I forcefully push the cap into the cushion, I can uncap and use the pen with one hand. Despite this, I typically soft-cap the pen during use. The ink stays wet on the nib and doesn’t evaporate. This includes the time I walked away and left the pen soft-capped for a couple of hours.
The nib has been more prone to evaporation when I pause while writing. The ink will dry off the tip of the nib in under a minute, causing skipping on the next stroke of the nib. Skipping after a pause is a bit annoying. It’s January, and the heating has dried the air in my apartment, which has no doubt affected the pen. Even my previously problem-free pens have been drying out quicker than usual.
In my original Sheaffer 300 review, I mentioned that I found the nib too short and stubby, unlike the classic Sheaffer nibs that I love. I have the same opinion of the nib six years later. I mean stubby as in a visual sense, not the nib grind.
Speaking of the nib grind, I got a fine nib. A medium nib is also available. Both options are steel only.
The nib is a smooth writer and very enjoyable to use. I mentioned skipping after pausing a minute or more, but other than that the writing experience has been problem-free. I’m extremely happy with this Sheaffer 300. Unlike the original, now passed on grey version, this green model will get noticed and won’t be passed over.
Lamy Safari USA Independence Day (Medium)
The name is a bit unruly, so I’ll stick with calling it the Lamy Safari USA.
Based on the name I assume it came out before July 4th. An internet search turned up reviews from 2019, so this pen is at least a year-and-a-half old. Yet, it didn’t come to my attention until November or December when I saw it on a Pen Chalet sale page. I eventually picked it up at the sale price. The price dropped even further during a year-end sale, so clearly, this model wasn’t moving.
While patriotically named, and with special packaging, nothing about this pen screams “USA”. It would fit in as a patriotic purchase in any of the other 27 countries with red, white, and blue national flags.
I’ve owned many Safaris and AL-Stars over the years, but currently have only three safaris remaining, including this one. The others have a matte finish to them, making them appear less like plastic pens. The Safari USA is shiny plastic, and in my opinion, makes it look a little cheap. Still, I do like the bright colors.
The Lamy Safari USA arrived in a custom red/white/blue cardboard box, rather than the typical flimsy Lamy slotted box. While more substantial than the typical Lamy box, it is still a small, simple box without a lot of wasted space. Both easy to store and easy/cheap to ship. Some Amazon reviews mention that the buyer received the pen in the typical Lamy box, lending credence to other Amazon reviews that claim to have received a counterfeit pen.
Compared to the textured plastic of the two Safaris that I already have, the smooth, bright plastic of this pen makes it look cheaper. Although, it isn’t any different than other glossy Safaris that I’ve owned.
I bought this fountain pen with a medium nib, the only option that was available to me from Pen Chalet. It may be that this was the only nib option offered by Lamy. The pen included a blue ink cartridge for the proprietary filling system. No converter is included.
As is my current practice, I popped in the included Lamy ink cartridge. The ink had reached the nib by the time I was ready to use the pen.
I do have a supply of other Lamy nib sizes but decided to stick with the medium nib for now. I always like to use a pen before making any changes, this way I know who to blame for any out-of-the-box problems.
Using the Lamy Safari
The Lamy Safari USA is just like every other Safari that I’ve used. I find the triangular grip a natural, comfortable fit for my hand. I’ve had good out-of-the-box experiences with every Lamy I’ve owned, except for the flagship Lamy 2000, and this pen did not disappoint. It performs well and has been free of skipping and hard starts. It’s also nice and smooth.
I’ve been using the Penwell Traveler recently. The Lamy Safari stayed ready to write, even when soft-capped for a couple of hours. The pen fits securely. Although, it is not so secure that it can be uncapped without having to hold the cap in place.
While they’ve never completely pulled me in, I’ve never had any complaints about Lamy Safari fountain pens and I can understand their popularity. That said, but I wouldn’t have bought the pen if it wasn’t on sale while I was in the mood to buy a pen.
Retro 51 Lincoln (1.1mm Stub)
With Retro 51 winding down operations I decided to look into any available fountain pens. I’ve had two of their fountain pens in the past and was disappointed in them both. The first, a Double-Eight, was poorly built and quickly fell apart with normal use. The second was this same model(Review). While the build quality was better than the Double-Eight, the nib was much too wet for my tastes.
I came across some comments that Retro 51 had changed their nibs. Details, such as when they made the change, and what the changes were, were lacking but I decided to risk it and hope a current model would be better.
Against better judgment, I ordered a Retro 51 Lincoln with a 1.1mm Stub nib. A 1.1mm stub nib is not suitable for me. It’s much too wide for me. But, I’ve been trying other nib styles and have found them fun to use, if not as an everyday writer. I was already placing an order with Pen Chalet, and the only option they had available was the 1.1mm stub, so I ordered one.
The Retro 51 Lincoln fountain pen arrived in generic Retro 51 packaging. A converter and two black cartridges are included, along with an instruction pamphlet.
I removed the cartridge from the barrel and popped it into the pen. The ink made it to the nib by the time I was ready to use the pen.
I noticed a rattle in the pen as I used it. My first reflex was “poor build quality again”, but then I realized there was probably a second ink cartridge in the pen. I opened the pen and the second cartridge fell out. It was stuck in there when I took the first cartridge out.
Writing With The Retro 51 Lincoln
I don’t have much to say here. The 1.1mm stub is too wide for me, but I knew this going in. That said, I do find the nib to be true to size, with a nice even flow.
The Lincoln is not an oversize pen, but the metal barrel does give it some heft. I find heavier pens more comfortable to use for extended writing sessions. I do like the feel of the Lincoln. The gripping section is smooth plastic. I suppose this could get slick in summer, or with extended writing sessions, but I haven’t had any issues in the dry indoor air.
I have experienced some hard starts, but I blame this on the dry, indoor air more than the pen. Even usually problem-free pens have been drying out faster than normal when I pause my writing, I’ve had to keep my pauses under 1 minute. Any longer and I’ll probably get skipping on the first stroke when the nib returns to paper.
I’ve been using the Penwell Traveler with the Retro 51 Lincoln. The pen fits securely. I can unscrew the cap with one hand. I can also leave the pen soft-capped for a couple of hours and the nib stays ready.
Of these three fountain pens, the Sheaffer 300 Matte Green is my clear favorite.
The Retro 51 Lincoln has an antique brass finish that I love. I do regret my nib choice a bit. The 1.1mm stub is not an everyday nib for me, but the pen looks good enough to use every day, I’d like to carry it in my Nock Co Fodderstack XL along with its rollerball sibling. I may try a nib swap, or since it’s only a $50 pen, look for an extra-fine nibbed version.
The Lamy Safari USA will probably get the least use. I like the colors, yet as I mentioned, Safaris never seem to pull me in.
The Benu Briolette arrived at the end of May, so calling this a This Just In post is a bit of a stretch. My two Benu Scepter fountain pens arrived after the Briolette, and I’ve already given my first impressions of those pens.
Since the Briolette is still working on its first ink cartridge, albeit a long international cartridge, I’m still calling this a This Just In post.
The fact that it’s been over four months on the first cartridge says something about my view of the Briolette. When I look at the pen or write with the pen, there’s a lot to like. I like the green & black design, and much to my surprise, the sparkles don’t ruin it for me. The extra-fine steel nib is an excellent writer. There’s a lot I like, and nothing that sticks out as a negative, yet the pen doesn’t click with me. So, the review timeline has dragged out, and I’ve already decided that the Briolette needs a new home. But let’s back up a bit.
The Briolette was the second Benu fountain pen that I purchased, the first being the Minima. There have been more since. I ordered the Briolette because the Minima was too small for me and couldn’t be lengthened by posting the cap. So, I moved up a size. The Briolette arrived in what I now recognize as standard Benu packaging. Classy, but less flashy than the pens. Gold lettering on a heavy cardboard box. The pen is in a cardboard sleeve on a bed of shredded paper. A long international cartridge is included, although there was no converter. Some websites, such as Goulet Pens, say a converter is included. The Benu website itself offers a converter as a $5 upsell. JetPens, which is where I purchased mine, does say no converter is included. So be sure to check carefully if a converter matters to you.
The Briolette is a many-faceted pen, so it doesn’t roll easily, despite not having a clip. It takes significant effort to get it to roll at all. The pen does not post and is on the smaller end of the scale at 5.4″ (137.4mm) long when capped, and a body that’s 5″ long (126.7mm) from nib tip to back-end.
I do find the Briolette comfortable to write with, for the most part. Its size is at the boundary of being too small in girth for my comfort. My hand did get tired and a little sore during my longest writing session using the pen, which was a little over an hour. It’s a light fountain pen, with no apparent metal. So the fatigue wasn’t due to the weight. Personally, I’d prefer a little more weight. The gripping section is thinnest at the point where I grip the pen. Although, at 9.4 mm, it’s not outrageously thin. The section does have a drastic taper to it so that a higher grip will provide more girth, 11.3mm just below the threads. The threads are smooth and seemed comfortable when I gripped them, although that’s too far from the nib for my taste.
I picked the Secret Garden design since I’m partial to green. Green is the base color, although there significant areas of black. And of course, there are also silver sparkles. I’m not a fan of the cap band. It’s wide and black, with the Benu name molded onto it. It’s not exactly a band; instead, it’s a separate piece that attaches to the main cap. At least this is the appearance it gives. The threads are molded into this piece. I don’t hate it, but it does break up the look of the pen. At least the Secret Garden has some black in it, so it isn’t totally out of place. The colors, and glitter, are not uniform, giving the impression that each pen could be slightly different.
The lack of metal also means eyedropper filling should be possible, although I did not try it.
The extra-fine nib performed well out of the box. It’s a #5 extra-fine steel nib made by JoWo, in a nib unit assembled by Schmidt. Nib sourcing info is from the Benu website, so as always, it can change anytime. A while back, they mentioned nibs came from both Bock & JoWo for assembly by Schmidt.
The nib performed well out of the box. It was smooth, and I didn’t have any problems with skipping or hard starts. The nib stayed ready to write, even after being capped for over a week. I used the included long international cartridge that Benu had in the box. I like a firm nib, and this fits the bill. I’m currently going through a phase where I’m enjoying some variety in my nibs, so it was unexciting while the nib performed well. Excitement for nibs in sub-$100 fountain pens can often mean bad things, so boring could be considered a positive.
The Benu Briolette performs well and appears solidly built. It’s a $75 fountain pen, so there’s a lot of competition from pens that write just as well, with some costing less. They do have eye-catching materials and designs. Beauty is in the eye of the beholder, so whether or not you like the look will be personal. If you like the look, then you should enjoy using the pen. While $75 might be a little much as a starter fountain pen, the bright designs could make it a fun fountain pen for a new user.
But it’s not for me. In past days I may have kept the Benu Briolette Secret Garden in my pen case to pull it out and use it every now and then. But these days, I’m trying to be cutthroat in my pen choices, so this one is going up for sale.
I received the Benu Scepter II during the first week of June. I’ve been remiss in writing up my This Just In post with my first impressions. When the Benu Grand Scepter X arrived last week, I decided to combine the two into one post. They are very similar fountain pens. While I expected similarities, they are more alike than I expected.
Benu names each Scepter model with a Roman numeral, rather than naming each color. The Grand Scepter continues the Roman numeral sequence right where the original Scepter leaves off. There are currently 13 fountain pens in the Scepter line, which Benu lumps into the Scepter Collection on their website. Online retailers seem to split them apart. Currently, 1 thru 8 (I – VIII) are the original Scepter, and 9 thru 13 are Grand Scepters.
Commonalities & Differences
Both have the same twisted helical design and bodies with a concave shape. Despite the “Grand” moniker, that pen is nearly the same size as the original Scepter, and both are the same size when capped and neither pen can post the cap The differences are in the gripping section and nib. I also see the Grand Scepter acrylics as more muted and subdued.
Both models have a black cap band with Benu molded into it. Both pens taper out towards the ends of the pen, reaching just over 18mm on both pens. Those big ends do make the pens a tight squeeze in some pen cases. Benu own site lists the capped pen length as the same (133mm) for both models.
Both the Scepter & Grand Scepter require 2 1/2 rotations to be remove the cap. But unlike some pens, the cap can be quickly rotated, with no friction, and needing only three quick flicks of my fingers to remove.
The biggest difference between the models is when the pen is in writing mode, which is where it can matter. The Grand Scepter has the larger #6 nib while the regular Scepter has the smaller #5 nib. The Grand Scepter a longer fountain pen than the regular Scepter when they’re in writing mode. The Grand Scepter is 125.74mm long, while the Scepter II is 121.76mm long. The gripping section girth of the Grand Scepter is also bigger, 10.38 mm versus 9.79mm for my Scepter II. I measured where I grip the pen which is near the nib, and where the section on these pens is thinnest.
The Grand Scepter has glow-in-the-dark acrylics. Personally, I don’t see the point, but that doesn’t make it wrong. Benu lists each pen’s glowing ability on their website under both incandescent and LED lighting. (Check the pen listings for the charts, I couldn’t get a reliable link to them.) My Scepter X is the least “glowy” of all the models. To my eye, the purple ends on my Grand Scepter (the part that glows) looks washed out, so I’m not a fan.
One final difference – the Grand Scepter is not available with an extra-fine nib.
One final commonality – the gripping sections are swappable between the pens.
Benu Scepter II
I’ve been using the Scepter II regularly since it arrived. The only ink I’ve used with it is Rohrer & Klingner Alt-Bordeaux.
The extra-fine Schmidt nib is a smooth writer and has been problem-free, with no skipping or hard starts. Schmidt uses nibs made by JoWo, according to the Benu website. In the past, the Benu website said Schmidt nib units used to be built with nibs supplied by both JoWo and Bock. Now, the site only mentions JoWo as the nib maker. The nib has the typical Schmidt engraving on a single-tone silver nib. Some color variations do have gold-colored nibs.
While I don’t want a lot of sparkly fountain pens, and the Benu Scepter II positively sparkles, I can handle one or two. I love the look of the Scepter II’s acrylic. Green is my favorite color, and green is the dominant color in this pen. Also, while the color varies (shades of green, blue & white), each of the colors has sparkles that appear to be embedded at different levels in the acrylic. The sparkles intensify and fade as the light changes.
The extra fine nib provides a smooth and pleasant and skip-free writing experience.
Benu Grand Scepter II Gallery
Benu Grand Scepter X
The Grand Scepter X is a very recent arrival, so it’s had minimal use. I inked it up with the long international cartridge that was included. A converter is also included. I’ve been using the Scepter II with the smaller #5 nib for so long that the Grand Scepter’s #6 nib looked weird when I started using it. I did get used to it, and my brain no longer pauses to process what I’m seeing when I first begin writing with the pen.
I found the nib to be a little on the dry side, especially when compared to the thinner extra-fine nibs in the Scepter II and the Briolette that I have. With fast writing, while the pen never skips, the line gets thinner and lighter when I write fast. I’ve used the ink in other pens (supplied in the pen box), and it doesn’t have the same problem. On the Briollete, which also has the same ink but an extra-fine nib, doesn’t have the same issues and easily keeps up with fast writing. The writing sample photos show both pens. To my eye, the nibs put down lines of the same width. While I didn’t flush the pen before inking it up, I did clean it before writing these first impressions. It didn’t change the performance.
To be clear, the pen flows consistently, just dry(ish), even when writing multiple pages at my normal pace. Fast writing results in a lighter line, but it still seems to flow consistently at with lighter line. I can’t write fast for long enough to see if the pen ever gets staved for ink.
Other than being a bit dry, the nib has been a solid performer without skipping or hard starts. I don’t feel a real difference between the grip section of this Grand Scepter X and the Scepter II. Both are comfortable.
I don’t find the Grand Scepter X (or it’s Grand siblings) nearly as beautiful as the original Scepters. The large glow-in-the-dark areas lacks the sparkle, while the color is muted and dull, lacking any pop. The sparkles also seem more subdued. On the Scepter II, they appear embedded in the acrylic, spread across multiple levels. They also sparkle in indirect lighting. On the Grand Scepter X, all appear to be on one level, near the surface. The Grand Scepter needs more direct light to get any sparkle. The exception is the small splashes of blue that cover some of the glow-in-the-dark purple which do have some vibrant sparkle in them.
Benu Grand Scepter X Gallery
I didn’t check the measurements when I ordered the Grand Scepter. I just expected it would be larger than the Scepter II. I was surprised when it was the same size in almost every measurement. Even the gripping section doesn’t feel different to me, despite some slight differences and different nibs. So while the section girth of the Grand is wider, the Scepter II has been comfortable in the 1 1/2 months that I’ve used it.
On looks, the Scepter II is a clear winner for me. While it could be my specific pens, I find the #5 EF nib to provide a more pleasant writing experience. That writing experience does transfer to the Grand Scepter X if I swap the sections (which includes the nibs). While I like dry(ish) nibs, I found the Grand Scepter a little too dry for me.
There’s a $22 difference in price between the models. The original Scepter (Scepter II) is $88, while the Grand Scepter X is $110. I have a hard time justifying the price difference. If I wanted a replacement #5 or #6 nib unit from a retailer, I’d expect the #6 to be about $5 more expensive than the smaller #5. Maybe the glow-in-the-dark acrylic costs more, I don’t know. While it’s purely subjective, I don’t like the look of the Grand nearly as much. The pen bodies are the same since there’s not more acrylic needed for the pen body. So, while I don’t think $110 is out of line for the Grand Scepter, the regular Scepter is a much better value.
When comparing the Benu Scepter II and the Benu Grand Scepter X, the Scepter II is the clear winner for me.
Like most machined metal fountain pens, ystudio pens have had a certain appeal to me since I first saw them. Still, they never pulled me in, and I never seriously considered buying one. Then the stars aligned. Kenro Industries recently became a distributor for them, so they had a bunch of new retailers promoting their pens. This has happened while the lockdown has turned my home writing desk into my main work desk, with the clutter that computers and cables bring. I like having a desk pen handy. A fountain pen that I can just pick up and use, no clicking or uncapping needed.
I have my Esterbrook Dip-less pen at the office but didn’t want to relocate it. This includes a big inkwell and a pen that sticks out at an angle. I had visions of something catching on the pen and dragging it over the edge and onto the carpet. So it remains at the unused office. I also have a Platinum desk pen, but that has been missing since I moved. I like having a desk pen that I can just grab and use, no uncapping or clicking needed.
As an aside – ystudio uses all lowercase for their brand name. I’ll do the same, even though it looks wrong and seems a tad pretentious.
The ystudio desk pen seemed to be ideal. It would be ready to use as soon as I picked it up. Having a base meant it would always be in the same place, allowing muscle memory to take over. This means I can pick up the pen while keeping my focus elsewhere. It stands straight up, so I’m less likely to hit it while working at my desk. It’s a cartridge/converter, so if I knock the pen off my desk, the worst that will happen is a few small drops of ink on the carpet. The pen arrived on May 2nd, and I’ve been using it since then.
The fact that this is a machined metal pen also appealed to me. The only unappealing part was the price, which seemed a bit high to me. I do realize that among machined metal pens, copper is usually more expensive. Obviously ystudio knew what they were doing when they priced it since I bought the fountain pen.
The ystudio Classic Desk Fountain Pen arrived in a wooden box with cardboard cutouts. It’s a light box, with wood more like balsa than a heavier wood. There were cardboard cutouts to hold the stand and pen securely, along with an instruction/product pamphlet. A converter is included, although no starter ink cartridge is in the box.
The fountain pen is solid copper, while the base is solid brass and very heavy. The ystudio name is engraved into the copper pen. It’s very subtle, with no added color, which I like. The copper has begun to develop a patina, while the base is as shiny as the day it arrived.
I ordered the pen with a fine nib, which is by Schmidt and has its typical engravings. There’s some scrollwork, along with a large cursive “F” to denote the nib size. “Schmidt Iridium Point” is stamped at the base of the nib.
I picked Montblanc “The Beatles” Psychedelic Purple as the initial ink for this pen. I typically use a desk pen for short notes or to mark up a document. So, I like a bright color in my desk pen.
The nib is smooth out of the box. It’s safe to say I’ve used the ystudio pen every day since it arrived, although rarely for more than a few words. The draft of this article (just under 3 pages) is the most I’ve used this pen in one sitting. The pen sits nib down in its base, so it’s no surprise that hard starts have not been a problem. There hasn’t been any skipping either.
The ystudio desk pen does stick up like a horseshoe stake, so I do have to move it around to get it out of the way as I move my computer or iPad around. Although, in most cases, it ends up to my right, where I can easily pick it up. Also, since my desk folds closed at an angle, I have to push the pen back before I close the desk.
I’m happy with the ystudio Classic Desk Fountain Pen. It performs its intended role perfectly. I expect it to be perpetually inked, other than the occasional overnight rest after being flushed out.