As November was starting up my fountain pens were running dry. So, it was time to ink up some pens. Obviously, it’s no longer the beginning of November. It’s taken me a while to get this post up.
For some reason, more whim than reason, I decided not to use converters. I’d use cartridges or piston fillers. I inked up eight new fountain pens to join my four carry-overs.
The four pens being carried over are:
Edison Huron Grande with an extra-fine nib, used as an eyedropper fill with Iroshizuku Fuyu-syogun. A nice big pen that’s comfortable in my hand. The ink was a top five favorite not too long ago. It spent some time on hiatus, but it’s back and reminding me why it’s a favorite. The size of this pen, plus the lack of a clip (or a roll stop) makes the pen a finicky traveler, so it’s a homebody.
Newton Eastman with an Esterbrook #9788 Flexible Medium nib with a barrel full of Montblanc Psychedelic Purple “The Beatles” ink. “Flexible” in the name is more aspirational than reality, but I do really like the nib. This is another homebody pen. Also large and clip-less, but added to that is a tendency to splatter ink into the cap if it’s jostled a lot.
TWSBI Go Sapphire with a broad nib and Monteverde Emotion Wisdom Purple ink. I really like the TWSBI GO pens. But broad nibs aren’t my wheelhouse, so this pen doesn’t get much use. It will be inked for a long time.
Sailor Pro Gear Regency Stripe with an extra-fine nib, and a Sailor Kiwa-Guro pigmented ink cartridge. This Japanese extra-fine nib puts down one of the thinnest lines of any of my nibs, short of needlepoints. It’s also one of my smoothest nibs. This is the pen that’s been traveling in my Nock Co Foddertack XL, paired with the Retro 51 Corona rollerball.
The newly inked pens are:
Pilot Vanishing Point Cherry Bamboo with a medium nib and a cartridge of Pilot Sepia ink.
Pilot Vanishing Point Guilloche with an XXXF nib and a Pilot Red cartridge. For some reason, this black pens attracts red or black inks. The XXXF nib calls for a red ink suitable for marking up documents, something this retractable fountain pen is well-suited to do.
Pilot Vanishing Point Maplewood with an oblique medium nib and a cartridge of Pilot Black ink. The angle of the nib is perfect for the way the pen sits in my hand.
Kaweco Brass Sport with an extra fine nib and a Montblanc Petite Prince Red Fox ink cartridge. The brass is heavily tarnished, just from sitting in the pen case. Typically I’d polish it up a bit before using it, but this time I decided to go as-is and see if using it changes what looks like corrosion to something that resembles a nice patina.
Aurora Optima Nero Perla with a medium nib and Aurora Black ink. I like this pen more than I thought I would. For some reason, I felt like matching this pen with Aurora Black ink.
Montblanc Meisterstück Ultra Black LeGrand with an Oblique Medium nib and Montblanc Bordeaux ink. My favorite ink in my favorite nib for long writing sessions.
Visconti Homo Sapien Bronze Age with an extra-fine nib. I filled it with Iroshizuku Fuyu-syogun. OK, I have to admit that I forgot this ink was still in the Edison Huron Grande. I do like the ink, but I would have preferred some variety. Even the nib size is the same.
Visconti Brunelleschi with a medium nib and Diamine Terra-cotta ink. This pen has been writing dryer than I expected. It’s a bit dry, even for me. If I hadn’t filled it through the feed, I would have thought there were some flow issues. It has gotten a little better, although that’s more because I’ve gotten used to it.
Naturally, my fountain pen usage dropped soon after inking those new pens (well, freshly added to the rotation), but it’s beginning to pick up.